Cinematical

In this current world where Katie Holmes is wife to Tom Cruise and mother of Suri, it's easy to forget she used to have a pretty solid indie career intermingled with her days on the popular Creek -- Libbets Casey in The Ice Storm, Claire in Go, Hannah in Wonder Boys, Jessica in The Gift, Nurse Mills in The Singing Detective, April Burns in Pieces of April, and Heather Holloway in Thank You For Smoking. But there is one starring role in there that's quite applicable this week: Pieces of April. *

Her last big role of worth (she played only a supporting character in Smoking and she was bad enough to be axed from Gotham law after Batman Begins), Pieces of April finds Holmes the black sheep of a dysfunctional family. Living a life on her own in New York with her boyfriend Bobby, April decides to tackle the daunting halls of turkey roasting and have her family over for a Thanksgiving feast. Unfortunately, her oven fails and throws her into ultimate turkey turmoil as she struggles not to be seen as a failure (again) by her family. The film earned Patricia Clarkson an Oscar nomination for her role as Holmes' cancer-plagued mom, and is a pretty decent indie as a whole.

So, as you gear up for your own turkey feast:

Head over to SlashControl and watch Pieces of April for free!

*And one supporting gig that's prime for the more cynically holiday-minded -- The Ice Storm.

This is a tale of the girl who cried wolf vampire...

TMZ is reporting that the 17-year-old girl who claimed that a fellow moviegoer bit her neck while exiting a screening of New Moon was, as they put it, "lying through her teeth." Erin Westrate gave police her story of the so-called bite, but a witness came forward to say that they saw her leave the theater and saw no biting. After grilling the teen, she confessed: "the alleged culprit was simply kissing her on the neck at the time and she was a 'willing participant.'" What possessed her to make up this extravagant lie is beyond me. Is she an English literature fiend who wanted to play on the never-cry-wolf idea after a movie with wolves and vamps?

Detective Lieutenant Timothy LaVigne says that the teen could now face criminal charges, and if this is all true and she did lie -- I say bring her down. Women have a tough enough time as it is when they are assaulted, crying wolf doesn't help matters.

From the original post:

We keep hearing about the annoying Twilight Saga fans and their ever-loyal fandom, but there are other crazies coming out of the woodwork. An ABC affiliate in Michigan reports that while watching New Moon at the Norton Shores theater, a teen girl was harassed and bitten by an old perv while watching the vampire/werewolf blockbuster.

It seems that in the midst of a screen full of vamps and wolves, an old, short, white dude believed to be about 45 years old starting throwing "sexual comments" at a 17-year-old girl sitting in front of him. But he didn't just assault her with words. When the movie was over, he decided to give her a taste of the "real deal" and allegedly bit the girl on the neck (lucky for her, he didn't break the skin). Right now, the perv is at large, and the police are asking anyone with any information to contact the Norton Shores Police Department.

In 1982, Ben Kingsley became Mahatma Gandhi in Richard Attenborough's Gandhi. The film instantly became a classic and went on to dominate the Oscars, earning Best Picture, Director, Actor, Writing, Editing, Costume Design, Cinematography, and Art Direction. And even though those are ridiculously enormous shoes to fill, the Guardian reports that Kingsley is heading back to Indian history to play Shah Jahan, the emperor who built the Taj Mahal.

Back in the mid-1600s, Shah Jahan was a Mughal Emperor who was devastated when his favorite (third) wife Mumtaz Mahal died while giving birth to their fourteenth child. In her honor, he decided to erect a grand mausoleum that would not only be epically impressive and beautiful, but also so glorious that sins would be washed away. It took roughly 21 years to create and has been included on some Seven Wonders of the World lists.

Titled Taj, the script was written by British novelist and playwright David Ashton, and is still looking for a director. Alongside Kingsley will be Aishwarya Rai Bachchan, who will play Mumtaz Mahal. This won't, however, be her first stab at the object of such desire: The former Miss World and Bride & Prejudice star played Mumtaz in the 2007 short musical, Journey Across India.

SBK Pictures is hoping to start production in the fall of 2010, but for now: Do you think Kingsley can make Indian history win in Hollywood once again?

There are times in this busy world when I forget just how cool The Muppets are. Randomly mention the beastly little guys and gals, and I'll smile politely, vaguely remembering the good old days. Put them in front of me, however, and it's a challenge to not let out a real world, ear-breaking shriek of squee. I don't care how long they've been around -- The Muppets are cool, and they are no cooler than when they're delighting in the epic grandeur of rhapsody ... Queen's "Bohemian Rhapsody," that is.

We all know the song. It was pretty epic in its own right, and then soared to new levels in Wayne's World, where it grabbed the #2 spot on the Billboard charts almost two decades after its release. Now the MuppetsStudio on YouTube have released the ultra-awesome clip you can see after the jump -- an arseload of Muppets singing the classic Queen song just like the old-school music video. And it's convinced me that Beaker is a lost member of the band.

The bad thing about all of this is that it's making me wish for a whole different sort of Muppet movie. Sure, Jason Segel is planning The Greatest Muppet Movie of All Time, and the project will involve the gang reuniting to save the studio. But considering this video, and the utter awesomeness that is Segel's rock opera in Forgetting Sarah Marshall, couldn't they halt things, change scope, and make this The Greatest Muppet Rock Opera of All Time? The possibilities are wonderfully epic and so utterly perfect. Who's with me?

Hit the jump for the Muppets' performance, plus the original video and that bit from Wayne's World.

[via Movieline]

This week Richard Linklater's Me and Orson Welles is finally making its way to the big screen. It's not a big buzzed-about film, but it is, indeed, one worthy of your time. The movie offers a peek at Efron's possible future (which the abysmal 17 Again completely failed to do), a delightful look into creating art in the '30s, and it recreates the nuances of theater on the big screen. And hey, it's a Linklater film, which seems to be painfully rare these days.

But none of those reasons are why I urge you to see it. It all rests on the shoulders of actor Christian McKay, who plays Orson Welles. I missed the film at TIFF, and spent the next year listening to raves over McKay's performance before I finally got the chance to make it to a screening. Even with the rave reviews and raised expectations, it was quite easy to get mesmerized by McKay, who not only bears an uncanny resemblance to the iconic actor and filmmaker, but also adeptly embodies the man's larger-than-life ways.

To get the full experience, you must be familiar with Welles, and if you're not, well, good lord, now's the time to change that. What follows are some of Welles' essential work, as well as glimpses into the man's real life so you can see just how good McKay's performance is.

We keep hearing about the annoying Twilight Saga fans and their ever-loyal fandom, but there are other crazies coming out of the woodwork. An ABC affiliate in Michigan reports that while watching New Moon at the Norton Shores theater, a teen girl was harassed and bitten by an old perv while watching the vampire/werewolf blockbuster.

It seems that in the midst of a screen full of vamps and wolves, an old, short, white dude believed to be about 45 years old starting throwing "sexual comments" at a 17-year-old girl sitting in front of him. But he didn't just assault her with words. When the movie was over, he decided to give her a taste of the "real deal" and allegedly bit the girl on the neck (lucky for her, he didn't break the skin). Right now, the perv is at large, and the police are asking anyone with any information to contact the Norton Shores Police Department.

Attention pervy men: While it might seem like biting is the new flirting, especially with the hordes of girls begging Robert Pattinson to bite them, you are not RPatt and that is not cool. And for you fellow filmgoers -- don't let the sickos get away, okay? Do you want to worry about who sits behind you or walks too close as you exit a theater?

You can watch the newscast after the jump.

Angels & Demons
The first was met with much critical disdain, but fought back to earn over $750 million at the worldwide box office. Angels & Demons still managed to make money, but less than $500 million (needing worldwide take to even make up for the budget) as Tom Hanks tries to hunt down a symbol-loving murderer. Eric D. Snider called it: "is as overly serious as its predecessor, and poor Mr. Hanks -- the world's most likable man, for crying out loud! -- is still dour and intense." Skip it. Also on Blu-ray.

Add to Netflix queue | Buy at Amazon

Four Christmases
Just as the title implies, Vince Vaughn and Reese Witherspoon are forced to stop avoiding their crazy families and must hit four households over the holidays. In his review, William Goss wrote: "The rest makes for an occasionally amusing, mostly shrill series of encounters with an ensemble that only encourages misanthropic ideals, and maybe if Four Christmases had decided to extend itself beyond white trash targets and projectile vomiting, we could've found ourselves talking about a new Christmas classic right now." Rent it if you want some uncomfortable holiday humor. Also on Blu-ray.

Add to Netflix queue | Buy at Amazon

Funny People
If ever there was a reason why Adam Sandler has been sticking to the ridiculous fluff, this is it -- a dramedy with a lot of heart that couldn't even make back its budget after worldwide release. In his review, Todd Gilchrist said: "Funny People is one of the summer's, if not the year's best films, because it's a comedy that inverts the medium's typical use – effectively revealing feelings rather than concealing them – and invites the audience to share in that discovery." Buy it and give the film some love. Also on Blu-ray.

Read Our Blu-ray Review | Add to Netflix queue | Buy at Amazon

Hit the jump for a peek at Shorts and other new releases...

If you didn't catch it over the weekend, Joseph Gordon-Levitt hosted Saturday Night Live, and kicked things off with a huge recreation of Donald O'Connor's slapstick performance of "Make 'Em Laugh" in Singin' in the Rain. He didn't just sing the song, thank everyone, and let it go to commercial. He performed many of the moves from the film himself, and if you're at all familiar with the scene, you know it's not just simple jive. For a live performance that has no benefit of retakes, it's darned impressive.

Of course, it's yet another example of the actor's impressive talents; that man's got mad skills. It's not too often these days that we get an actor who can be funny, serious, and an impressive live showman all in one package. Heck, the most we can usually get is a funny singer who dances, a mediocre hottie who dances, a funny man who can deliver some drama, or something similar. All of the above? Not these days.

Yet here Gordon-Levitt is, with one of my favorite SNL introductions ever. Movieline described Joseph as having "showman skills so hyperkinetic and gooey that Marc Summers might've Febrezed his screen." But what I want to know is: Could he help revive the idea of multi-talented show-people in Hollywood? Even if you don't like song and dance numbers (which, I admit, I usually don't), it can't hurt for Hollywood to start pressing the importance of a wide skill set. These days most actors are a one-note wonder, and here is JGL tackling every genre with ease while making this girl mourn a cinematic style she's never missed.

Does JGL make you miss the days of that flamboyant business we call show? Check out the original performance and the SNL stint after the jump and weigh in below.

I had a whole other topic prepared for this week's Girls on Film, but to follow that plan would ignore the large, sparkling elephant in the room. I'm sorry, but I've got to write about New Moon. I'd been planning to hit a screening sometime mid-week -- a nice and early matinee that would free me from the headaches of super-excited fans under 18 (which goes for any cinematic fandom for the pre-to-teen lot ... Harry Potter? egads...).

But then I read Eugene's aside in his weekly Box Office report: "Along these lines, I wonder if the egregious objectification of men in New Moon's marketing campaign is a victory for feminism. I vote yes." While I don't equate my feminism with show-me-yours-too ideology, it brings up a really good point that really hadn't occurred to me before: Twilight isn't just a rampant fangirl phenomenon of pent up adolescent and homemaker lust. It's a female skin flick for the younger set, both in marketing and execution.

And no one seems to know how to react to that.

Cinematical has just received the following title track for Nick Cave and Warren Ellis' original and haunting film score for The Road. It's simple and chilling -- just as any accompaniment to a post-apocalyptic world should be -- full of violin and piano tunes, some wind instruments and sound loops. The soundtrack is being released digitally today over at Amazon, with further digital retailers tomorrow and a CD release to follow on January 12, 2010.

We first alerted you to the score back in March, and then to the duo's Soundtrack Collection in September. As you might have gathered, some of us are big Cave & Ellis fans. And rightly so. They provided an award-winning score for John Hillcoat's earlier feature The Proposition (which Cave also wrote), and also scored The Assassination of Jesse James by the Coward Robert Ford. And of course, that's besides their work in Nick Cave and the Bad Seeds, which has memorable cinematic ties to Wings of Desire (before Ellis teamed up with Cave).

Too often these days it's easy to get pulled out of movies due to overly imposing and grandoise film scores desperately trying to yank at emotions, rather than just lightly coaxing the right feel for a particular scene, and Cave and Ellis definitely know how to let simplicity reign. Check out the clip and track list after the jump and grab it over here at Amazon.