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Watch enough movies and you learn pretty fast that they aren't about reality, they're about entertaining us. Which sometimes makes the world of the biopic a little tricky, because not only do you have to work in the truth, but you still have to keep those butts in the seats -- and the results are not always good. Over at Moviefone they've compiled some of the worst movie biopics, and no one was safe -- with films earning a spot for mixing up their facts, ridiculous casting, or just downright lazy filmmaking.

So who made the list? Well, you've got your usual suspects like Oliver Stone's Alexander, a film that has so much wrong with it I don't know where to put the blame (oh, that's right, on everyone). Other films that made the cut for the less than flattering title of 'Real Life Catastrophes' were Kevin Spacey's Bobby Darin flick, Beyond The Sea, Luc Besson's The Messenger, and Alan Parker's Evita. But don't think the classics made it out unscathed either, because both Captain Eddie and The Babe Ruth Story also earned a mention.

As a genre, I love biopics -- especially the bad ones. I've watched everything from made-for-TV movies on The Beach Boys to high art flicks like I'm Not There. So no matter what kind of biopic it might be, I will usually give it a chance. Over the years, I've seen movies that bend the truth and those that just mess it up entirely, but that doesn't mean I didn't enjoy them. Besides, if you're looking for unadulterated facts, you should probably head to the library and not the multiplex.

After the jump: five of my favorite movie biopics...

I'm not sure why, but Overture Films has chosen to downplay the "based on a true story" aspects of their high-profile new satirical film The Men Who Stare at Goats. The film finds Ewan McGregor as a journalist looking for a story in Iraq who stumbles across a former member (George Clooney) of a special platoon of psychics employed by the U.S. military. While many moments in the film seem outlandish and ridiculous, they become even more jaw-dropping with the knowledge that the film is based on fact.

Author Jon Ronson first explored the topic of remote viewers and psychic super-soldiers in a three-part Channel 4 television documentary, The Crazy Rulers of the World, the first part of which ("The Men Who Stare at Goats") he turned into a book in 2004. It's amazing to see the very real people behind the First Earth Battalion (renamed the New Earth Army in the film) recounting the bizarre stories that are brought to life on the big screen in the quasi-fictional movie by writer-director Grant Heslov.

It's a must-see if you plan on catching the film, and absolutely fascinating. There's a cynical side of me that would like to assume the members of the First Earth Battallion all are crackpots, but there's too much fact mixed in with the weirdness for me to dismiss it outright.

You can see the first episode of Jon Ronson's original documentary, in its entirety, over at SciFi Squad.

After heaps of buzz and praise, and our own Eric Snider saying: "it's compelling and artistic, punctuated with warm humor and masterful performances, and ultimately triumphant and hopeful," Precious: Based on the Novel Push by Sapphire is finally hitting theaters today. It's a harrowing look at one girl's traumatic young life of being pregnant with her second baby (by her father), abused by her mother, and struggling with illiteracy and obesity. In other words, a movie that demands you to think and feel -- to be touched beyond the 110 minute span of the film.

Naturally, that made me think about movies that haunt us. It can be for any number of reasons -- because of a film's thought-provoking power, how it's filmed and presented, the way it latches on to pain in our own experience, unsettles our own belief systems, angers us, or challenges us. Whether it ends sadly, or with hope. Whatever the reason, certain films seep into us and refuse to leave, whether it be for a few fleeting post-credits moments, or a week, month, year, or lifetime.

Upon leaving Requiem for a Dream the first time, my friend and I couldn't get the music out of our heads. We couldn't stop repeating the same thoughts as our brains tried to process them. Even if I don't see the film before my eyes, the music brings back every feeling, every moment of tenseness. As the credits started moving in Dogville, I couldn't shake the last powerful moments out of my head. It took a while to shake the gooseflesh from my arms, and every time I let my mind slip back, there's a brief jolt of shocked memory.

Click image below to view full poster

Cinematical has just received this exclusive new poster for The Wolfman, due in theaters February 12, 2010. As you can tell from above, this latest bit of marketing for the Joe Johnston directed resurrection of Universal's classic shows off the gentler side of the moon-fearing creature feature. It's a simple image of Emily Blunt, who plays Benicio del Toro's romantic interest in the film, hiding with baited breath behind a tree in the mist-filled forest from del Toro's titular man cursed with an ancient affliction.

What works so great about the poster, other than the fact that Emily Blunt is always easy on the eyes (and even easier on the eyes when in a corset), is how it denies us a glimpse of the actual lycanthrope at the center of the movie. I find it a testament to how fantastic the character of the wolfman is that no amount of beauty is going to distract us from wanting to catch a look at the doomed soul who loses control of himself whenever the moon is full.

In addition to this poster, Ain't It Cool News has debuted a second Wolfman poster a little later on today, so make sure to hop on over there to catch another insight into the mystical, Victorian world brought to life by the likes of Benicio del Toro, Emily Blunt, Hugo Weaving, and Anthony Hopkins. After that, you may return to staring at the wonderful Emily Blunt, longing for February 12th to somehow get here sooner.

Check out the latest Wolfman trailer after the jump, and view the full poster by clicking the image below.

One day, a man named Morace Park is surfing around eBay, looking for antiques, when he's intrigued by an item listed as an "old film." Housed in a funky antique tin, the man bids and wins it for the super-reasonable price of £3.20. He buys and sells antiques, so when the package arrives, it sits around for a bit. When he finally gets around to opening it, he unfurls some of the film to see what it is. The title reads: Charlie Chaplin in Zepped.

Yes, folks, as a story in the Guardian attests, this is a forgotten film that there's no record of. Almost seven minutes long, the short "is a mixture of footage of Chaplin and exuberant animation that reminded Park of Monty Python sequences." Park's neighbor John Dyer says: "It starts with live shots of Chaplin. It then turns into a dreamscape. We see a Zeppelin bombing attack. And then we see Chaplin taking the mickey out of the Zeppelin, at the time a powerful instrument of terror." They deduce that the film is a propaganda piece from the first World War. Park and Dyer have traveled to Los Angeles to learn more about the short, with filmmaker Hammad Khan recording their journey for a documentary.

One has got to assume that whoever sold it never bothered to open the film and see what this "old film" was. Just goes to show you -- old cinematic junk on eBay can lead to stunning discoveries, and never be so lazy as to not see what a film is before selling it.

Every few years, it seems necessary in the course of critiquing home video releases to clarify and designate the difference between all of those terms that distributors and producers come up with to describe films that arrive in stores in a version other than their theatrical iteration. For example, "unrated" no longer simply means that a film is too bawdy or offensive to garner a proper MPAA rating; rather, in many cases it means that the studio re-inserted footage, and didn't bother to screen it for the ratings board at all. "Director's cuts," meanwhile, sometimes really reflect the original vision of a filmmaker for his movie, and sometimes just qualify as an alternate version that was supervised or approved by the director. And most importantly, none of these changes are an automatic indication that the film will be superior to the one that you saw in theaters, even if there's a little more gore or nudity or (God forbid) character development.

Ironically, the new Blu-ray for Heat carries no such designation – to anyone buying it, this is the same film they saw in theaters and on standard-definition DVD. However, at the top of the list of the disc's special features, the topline attraction is "new content changes supervised by director Michael Mann." Even for someone who's seen more than his share of extended, alternate, unrated and director's cuts, this was particularly intriguing, which is why Heat is the subject of this week's "Making The (Up) Grade."

Horror fans will be slipping back into a new Nightmare on Elm Street on April 30th, 2010, but we're already being teased with new Freddy Krueger toys, thanks to Entertainment Earth and Mezco Toyz. You can buy a little Freddy of your own in plastic or vinyl next April just in time for Jackie Earle Haley's debut as the mutilated monster who haunts our dreams.

The first question I had when I saw the plastic toy was, why does he look like those little dolls with dried apple heads that are sold at craft fairs by sweet grandmas? But thanks to a wily blogger over at Albotas and the wonders of Photoshop, you can see that Earle Haley's Freddy definitely looks more like this toy than Robert Englund's Freddy.



I'm not sure which I prefer -- the menacing creep with a big smile or the flat-faced, expressionless killer. An early review from a test screening posted at Ain't It Cool News praises Earle Haley for his performance (although not much else in the movie), but will old fans be won over too?

Either one is sure to give me, well, nightmares. It's too bad that Johnny Depp won't be there this time around.

Do you collect movie toys? And, more importantly, do you leave them in the box or take them out?

Check out a larger version of the toy after the jump.

(Via Dread Central)

You know how you love movies so much that you watch them every minute of the day, but sometimes you have to pull yourself away from the DVD player in order to take a shower? Don't you wish there were a way you could clean your body AND watch movies, without the danger of putting a TV next to the shower, or the humiliation of bathing in a washtub that you dragged with you to a movie theater and filled with hot water from the restroom?

Now there is! Industrial designer Wu Chenghou has created the Waterdrop Shower Room, a fully functional shower/tub combination enclosed by a wraparound wall that doubles as a movie screen. It's shaped like a giant drop of water. Once you're inside, you fill the tub or turn on the shower, and whatever you've selected plays on the movie screen that now surrounds you. It's not "3-D," exactly -- well, unless it's a 3-D movie and you're wearing the glasses -- but it will certainly make you feel like you're part of the action! Especially if it's a movie with a lot of wet, soapy people!

Here's the blurb on the product from the Yanko Design blog: "The Waterdrop Shower Room brings to life the childhood fantasies of role-playing while taking a bath. Sometimes you're a beastly pirate and sometimes a brave hero rescuing your ducks. This exciting enclosure comes with a tactile touchscreen that almost envelopes you. Its giant screen happily plays for you [I'm glad the screen is happy in its work] soothing melodies of the Chinese Opera to Nemo (although I reckon the big guys will opt for something more seductive!) and transports you to fantasy land!" [Note: "the big guys will opt for something more seductive" means "adult men will probably watch pornography."]

Watch a lot of movies, and you'll get conditioned to look for that special moment when it all comes together and someone utters the words that also happen to make up the title of the movie. Sometimes it's inevitable -- if the film is titled after a character's name, or the flick's main theme, then it's going to make its way into the film. A lot. Other times, writers cleverly slip it in as that tongue-in-cheek addition for the audience's amusement.

Having a little fun with movie clips, Videogum has whipped up a mosaic of scenes where characters say the film of the movie in the film. From Katharine Hepburn's distinct voice stating: "Guess who's coming to dinner?" to Dances with Wolves, to things being "gone, baby ... gone" and Sharon Stone writing about "basic instincts," there's a good range of those little pithy and inevitable moments. Most of them are all-too-brief, although there's a good blip of time granted for the build-up of The Breakfast Club.

Check out the video after the jump and weigh in below: Which title-in-dialogue moments do you remember most?

Now that most of us acquire our music online these days, radio DJs don't have the same sway as taste-makers that they used to. But in the '70s, the final word in rock music was Rodney Bigenheimer. In George Hickenlooper's 2003 documentary about the infamous DJ and rock music icon, Mayor of Sunset Strip, we are shown Bigenheimer as an awkward and strange little fellow who, in the end, did it all for the music. Now, thanks to the nice folks at SlashControl you can now watch the documentary as one of their collection of (pretty awesome) free movies.

You wouldn't know it to look at him, but Bigenheimer was one of the biggest names in the rock music scene, and was credited with helping to break bands like The Sex Pistols, The Clash, Nirvana, and even Coldplay. Bigenheimer has been relegated to the 'graveyard shift' these days at KROQ, but considering that Hickenlooper was able to get appearances from some of the biggest names in rock (everyone from Mick Jagger to Rob Zombie) you can't deny Bigenheimer still has some clout.

Hickenlooper's film is more than just a walk down music history lane. It also manages to show you someone who truly loves the music, and maybe it's a little sad that it never quite loved him back. But this documentary reminds us that his legend lives on -- you might even remember a certain homage to Bigenheimer in Cameron Crowe's rock n' roll tale, Almost Famous when he works in one of Rodney's famous quotes "It's all happening!", and during the 'Mayor's' reign at KROQ, it really was...

Watch The Mayor of Sunset Strip at SlashControl