Music & Musicals »

Once again Paranormal Activity took everyone by surprise by not only taking top honors for the week, but by pushing Saw VI into second place where it experienced the weakest opening weekend in the history of the franchise. Last week's three other new flicks Astro Boy, Cirque du Freak: The Vampire's Assistant, and Amelia all failed to hit the top five, but here are the ones that did:

1. Paranormal Activity: $21.1 million
2. Saw VI: $14.1 million
3. Where the Wild Things Are: $14 million
4. Law Abiding Citizen: $12.4 million
5. Couples Retreat: $10.6 million

Just one new flick going into wide release this week.

Michael Jackson's This is it:
What's It All About: This documentary consists of rehearsal and interview footage shot in the months prior to the King of Pop's death.
Why It Might Do Well: Jackson's following was large and loyal and this is the only major release coming out this week.
Why It Might Not Do Well: Not enough scenes with Bubbles the Chimp? No, I don't think even that will keep this one from raking it in.
Number of Theaters: 3,400
Prediction: $42 million

As I watched Michael Jackson's This Is It, I found myself wondering exactly what I was supposed to be reviewing. It's nearly impossible to separate the context of the film from the film itself -- that it was supposedly never meant to be a documentary and is only now being seen by public eyes because of Michael Jackson's death in June as he was preparing for his last tour. And, as difficult as it is, I'm obviously not reviewing the person himself. Was I reviewing his performances? That's not it, either, because they're rehearsals and Jackson was saving his voice and strength for the tour. The documentary itself is a strange, confusing look into Michael Jackson's world, or at least the version of it that his friends, family, and/or estate wanted us to see.

Producer Randy Phillips is quoted in the production notes as follows: "What makes this footage so compelling is that Michael is so open and unguarded. From March 5 when we did the press conference [announcing Jackson's tour] to June 25 when Michael died – we had a three-person crew with HD cameras." The production notes also say they shot "more than 100 hours of rehearsal footage shot in Los Angeles." Why were three people shooting with HD cameras, producing over 100 hours of footage that "was never intended for wide release"? And if it was eventually going to be part of a behind-the-scenes doc, then why did it often look blurry or shaky, and why, if there was so much more footage to choose from, are we seeing rehearsals that seemed to be from a handful of different days, judging by the different clothes Jackson wore?

Are you ready for another hippie, hippie shake? The New York Post reports that Cocktail is getting turned into a Broadway musical by producer Marty Richards, and Heywood Gould, the pen behind the book and film, will write it. But that's not all. Gould told them: "I am writing it as we speak. Marty Richards is on board and he's working on the score. It's far too early to talk about casting. We haven't approached anybody yet. But I do like Katie Holmes." Yes, original star Tom Cruise's wife. Gould might not be the end-all on decisions, but since he's involved with all the story's incarnations, I bet he has some sway.

The 1998 film focuses on a young guy (Cruise) who drops out of school and becomes a famous bartender. Eager to have his own bar, he heads to Jamaica to earn enough money. While there, he must choose between the girl he falls for, and the rich woman who needs a "drink-mixing stud." Is it terrible to root for the latter? Who wouldn't want their own personal bartender?

If this sucker becomes a reality, I predict Cocktail, Reimagined! -- starring Katie Holmes and Tom Cruise -- coming to the big screen by 2015. Yeah, he's 20 years older as it is, but could he resist returning to his bartending fame alongside Katie? Or maybe he'll leave the love to a young and lucky bloke, and take over Bryan Brown's (Doug) bar vet ways? Or Doug becomes the drink-mixing stud?

Speaking of Hollywood couples -- for a pair so into one another, is it surprising that they haven't co-starred together yet? Maybe Tommy is fearing another Eyes Wide Shut experience.

You all remember the romantic rite of passage known as the mix-tape, right? Where you would try and convey how deep, charming, profound, and downright cool you were by compiling a group of songs for your intended? In the world of movies, filmmakers use songs all the time to create a mood, explain an emotional 'state of mind', or even to fill in what they don't have time to explain. As it turns out, so do we, and that's where the art of the mix-tape comes in. But this isn't just about music, and Cinematical is a film site after all, so I thought it would be fun to put together a little mix tape of songs I've come to love thanks to hearing them in the movies.

Now before we start, I should warn you that my mix tape isn't just a collection of run-of-the-mill love songs, because as I keep telling everyone, I'm not a run-of-the-mill girl. Instead, I've put together a 'celluloid compilation', that if given to me would guarantee that I fell head over heels into film geek love.

After the jump; some movie songs that would woo me right off of my feet (in no particular order)...

Frank Sinatra is still what many (if not all) red-blooded man aspire to be. Playing him in a Martin Scorsese biopic is not only a dream job for any actor, it's wish fulfillment on the highest level. Is it any surprise that the some of the biggest names in Hollywood are said to by vying for the role of Old Blue Eyes? The Guardian reports that Johnny Depp, Leonardo DiCaprio, and George Clooney are in fierce competition to land the part, with Universal executives allegedly pushing hardest for the marketable Depp.

It's a tough thing to cast someone like Sinatra. While I certainly like all three men as actors in their own right, I think their own fame makes it impossible for them to disappear under the skin of an icon. This isn't exactly Howard Hughes or John Dillinger, figures that an actor can shape from facts and bits of footage, but still make their own. This is a man we're all familiar with from countless movies, concerts, albums, and television appearances. How do you portray that honestly with Depp, DiCaprio, or Clooney? If forced to choose from the three, I'd pick DiCaprio purely because of the physical resemblance, and politely suggest Clooney play Dean Martin.

Personally, I hope Scorsese finds a semi-unknown for the part (someone on the level of Tom Hardy -- who might actually be really good now that he's sprung to my mind) and steers clear of the A-List. The actor lucky and brave enough won't have to sing, as Universal and Mandalay spent 2 years clearing the rights to Sinatra's catalog, but he still has to be someone you believe to possess that voice. Would you cast one of the Big Three above? Or do you have someone else in mind?

Last summer, it was reported that Columbia was setting up a remake of My Fair Lady and that Keira Knightley was pursuing the iconic, Cockney role of Eliza Doolittle. While Knightley has been "attached" ever since, The Telegraph reports that Scarlett Johansson was also vying for the role. But Knightley won out, and the Telegraph not only confirms that she's got the role, but that Joe Wright will be directing. Emma Thompson is writing the script.

Knightley has been taking singing lessons ever since the possibility came up (and I actually think she proved she had a good voice in The Edge of Love), and I think she'll be absolutely charming as Doolittle. But then I'm biased towards her. Even if you aren't (and I expect many "too skinny!" comments), I think the combination of Wright and Thompson pushes this into very, very promising territory. Thompson can do no wrong by me.

What will really tip the balance is who they cast as the grumpy, misogynist Professor Henry Higgins. The Telegraph reports that Daniel Craig is being considered, and he'd certainly be ideal as the grim Higgins, probably moreso than the dapper Hugh Jackman. I wouldn't mind seeing Patrick Wilson become a contender, and I half wonder if Gerard Butler's vocal chords were trotted out on Saturday Night Live as an audition. Just you wait, and practice your R's, and we'll see whose face Knightley must become accustomed to.

UPDATE: Screenrush caught up with Joe Wright, who says he never signed on, and is uninterested. Given the shakiness of the initial report, it's unclear whether Knightley's casting is official either.

The biggest enemy of the Footloose remake isn't a music-hating preacher, but its own Creative Differences. After it finally recovered from the loss of Zac Efron by recruiting Chace Crawford and Julianne Hough, Variety reports that Footloose has now lost its captain. Director Kenny Oretega has left the project due to "differences over tone and budget."

Reportedly, Ortega's vision included elaborate dance sequences and a budget of $30 million or more. But Paramount's Adam Goodwin had something different in mind. He saw Footloose with a little less dancing, a little less music, and a lot more edge. He was also hoping the budget would come in around $25 million. Who is right? I don't know. If you want something closer to the original, I'd say Goodwin is spot on. Kevin Bacon did his lithe dance moves in barns and car washes. It was on the cheap. It was also pretty edgy (relatively speaking) in its handling of teenage sexuality. Is any remake going to feature its heroine yelling "I'm not even a virgin!" in the middle of a church? Nah. They'll just dress her sexy.

Paramount is now on the hunt for a new director in order to kick off its Sunday shoes and begin filming by 2010. I was going to say "Maybe this'll be the end of this silly remake" but there's no way that'll happen. Instead, I vote that this Footloose be made with two simultaneous storylines. As they tell the story of the repressive Midwest, we'll also learn about the behind the scenes drama that mirrors the onstage action. Will Ortega's lush vision of music and dance win out? Or will the repressive Goodman crush his freedom of expression? It would be like The French Lieutenant's Woman for high schoolers.

I feel like Justin Theroux is becoming some kind of muse to the masses, gently introducing them to the offbeat and cool before moving onto something else. The majority of American moviegoers probably don't know his name, but they feel his influence. Someday, every man in America will start wearing fedoras again, and not really know why. The reason will be Theroux. But first, he plans to hook everyone on Air Guitar, and introduce the masses to the offbeat world that cherishes the talent.

Variety reports that Theroux has signed on to produce Paramount's Air Guitar, a story centered around the self-consciously ironic world of air guitar championships. The project has been in the works at Paramount since 2006 or so, and is cobbled together from the 2006 documentary Air Guitar Nation and Dan Crane's book To Air Is Human. Screenwriting duties originally belonged to Ian Roberts and Jay Martel, but they now are the sole responsibility of Mike Lisbe and Nate Reger. That's all we know about the project so far, except that it'll probably involve a lot of kicks, devil horns, and suggestive tongue movements by its stars. (Does anyone ever do the famous Mick Ronson & David Bowie guitar move? I hope so.)

Paramount hopes that Air Guitar will capitalize on the current be-your-own-rock star popularity of Guitar Hero and Rock Band. I think you're seeing the start of a trend, and that Air Guitar championships will become staples of your local clubs until every frat boy has drained the ironic cool out of it. By then it won't matter, because Theroux will have moved on, and quietly introduced something else into the mainstream. As we ponder what that might be, I've embedded the 2007 trailer for Air Guitar Nation below the jump. Watch it, so you can smile knowingly when people in your office start talking seriously about air guitar.

Time for your daily AOL /SlashControl fix of deliciously free movies! After Henry Fool and frightening Frogs, I'm going with my second choice for pick numero uno: The Best Little Whorehouse in Texas.

Is it weird that this was one of my favorite flicks as a kid? My youthful bad taste not withstanding, I have no idea why or how I saw this flick a number of times as a youngin'. It was rated R after all. My best guess is that I saw 9 to 5, adored it, and somehow convinced one of my family members to let me rent and watch Dolly Parton's next film. In fact, I know I rented it a number of times. Oh, the perks of being an only child who can hide away with saucy Burt Reynolds movies...

Based on the play, the film stars Parton as Mona Stangley, a woman who operates a whorehouse that's been around for more than 100 years. Her illegal shenanigans are safe because she's canoodling the sheriff (Reynolds). But then a reporter (based on Marvin Zindler, played by Dom DeLuise) starts messing with her business and things get complicated. It might have a paltry 5.3/10 user rating on IMDb, but it not only has a great kitsch factor -- it also has Charles Durning as the Governor, in a role that won him an Oscar nomination. Need I write more?

Head to /SlashControl and get your free fix of Burt and Dolly.

Transformers: Revenge of the Fallen
Shia LaBeouf and Megan Fox run for their lives as Michael Bay's giant robots trample onto the home video scene on DVD (single-disc or two-disc special edition) and Blu-ray (two-disc special edition). The special editions includes audio commentary by Bay and writers Roberto Orci and Alex Kurtzman, deleted / alternate scenes, a music video, and additional features, such as "A Day With Bay: Tokyo," "Giant Effing Movie," and "The Matrix of Marketing." To approximate the theatrical experience, play really, really loud, and sit as far back from the screen as you possibly can. Resistance is futile. Rent it.

Add to Netflix queue | Buy at Amazon

Blood: The Last Vampire
Chris Nahon's live-action adaptation of an anime series features a half-human, half-vampire samurai battling an infestation of demons. "the result is so laughably awful that it easily qualifies for so-bad-it's-good status," wrote Jeffrey M. Anderson. "As you may expect, the English-language dialogue is ultra-serious and absurd, the action is inept and shaky, and the visual effects look like they might have been generated on an old Atari video game." Also on Blu-ray. Skip it.

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Chéri
Michelle Pfeiffer's reunites with her Dangerous Liaisons director (Stephen Frears) and scripter (Christopher Hampton) for a movie based on a novel by French writer Colette about a passionate affair. "For some reason," Jeffrey M. Anderson wrote, "Chéri is dead on arrival, a cold fish. It just lies there, too lethargic to be funny and too timid to be sexy, but not deep enough for any real drama." Skip it.

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After the jump: Indies on DVD, Blu-ray Picks, and Collector's Corner!