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We live in a time when war movies based on toys (Transformers: Revenge of the Fallen, G.I. Joe: The Rise of Cobra) are better received by the public than those that have a basis in truth (The Hurt Locker). G.I. Joe: The Rise of Cobra, out on DVD and Blu-ray today, dances around its origins as military action figures by positioning its heroes as an elite unit, more like well-armed spies than anything resembling common soldiers. The aim appears to be similar, though: provide heroic figures that inspire others to follow in their footsteps.

Back in the 80s, movies that could be mistaken for recruitment propaganda became surprisingly common. The film industry, which had firmly resisted anything related directly to the Vietnam War while it was being waged, became schizophrenic in the 80s, releasing anti-war and pro-war flicks side by side into theaters. Here are seven key films, listed chronologically, that helped shape the public's perception of the military during that decade.

Private Benjamin (1980)
Nancy Meyers began here, co-writing and co-producing the tale of Judy Benjamin (Goldie Hawn), a bride who wears black after her husband (Albert Brooks) dies on their wedding night. A spoiled woman-child, Judy enlists in the armed forces; basic training toughens her up as she realizes she can deal with the rigors of military life. As a budding feminist, she still had miles to go to learn that she didn't need a man or the military to be all she could be; as a poster child for plucky women in the armed forces, Private Benjamin was a positive-reinforcement milestone.

The Messenger opened the 12th Savannah Film Festival with a bang: a sellout crowd, international press, and Hollywood stars Woody Harrelson and Ben Foster in attendance to rub elbows all night. Even without the glitz, though, Savannah was a smart place to screen the Iraq drama. Oren Moverman's film is a character study about a soldier (Foster) dealing with the aftermath of war, but like Kathryn Bigelow's Iraq film The Hurt Locker, it's about the personal toll Iraq leaves on soldiers who survive and the families of those who don't; the politics of war are hardly an issue. And so, in a city that supports two military bases and the men and women who serve them, The Messenger played like gangbusters.

Foster stars as William Montgomery, a recent Iraq returnee dealing with serious leftover issues and a new assignment to play out his final three months of service: informing families that their loved ones have been killed on duty. As Montgomery's partner, Harrelson provides moments of levity, but there were plenty of sniffles throughout the film just the same.

While it was pretty easy to figure out what the general consensus was, there were three figures in particular I was watching for a reaction – the only three uniformed soldiers in attendance, who may or may not have been connected to the production. (The film has been screened for military personnel, and Harrelson and Foster personally met soldiers at Hunter Army Airfield prior to the night's screening.) When asked what military folk have thought of his film in the post-screening Q&A, director Moverman deferred to one of the officers in the audience to share his reaction with the crowd. What follows is the unnamed soldier's impromptu review of The Messenger.

August gave us the voice of Matt Damon in Ponyo, September gave us the inner voice of Matt Damon in The Informant!, and now October has brought us a look at his next two performances.

Clint Eastwood's Invictus is one of the last big likely contenders of the awards season, though it is as of yet unseen (unless those very few who have seen it are very good at being very quiet). Damon plays real-life rugby captain Francois Pienaar, whose team saw the support of Nelson Mandela (Morgan Freeman) as a rallying point around which they might lift the spirits of South Africa in the wake of apartheid. It's political! It's underdog! It's opening in December! It's Oscar bait for certain, and Apple has the exclusive trailer.

Paul Greengrass' Green Zone, on the other hand, was shuffled out of the Oscar race once Universal decided to sort out its slate after a lackluster summer at the box office, and that may have been a wise move. Yahoo's trailer (which is also embedded below) comes across as more of a straight-up actioner than a ready-made contender, with Damon back in Bourne mode as a betrayed soldier on the hunt first for WMDs, and then for answers. Based on the best-seller Imperial Life in the Emerald City, it opens on March 12, 2010.

Now how's this for a cool premise? "U.S. states secede from the U.S. and form their own governments that wage a civil war against each other after Washington, D.C., is wiped out in a nuclear blast and chaos ravages the nation." Sounds like it could make for a fairly novel action flick, eh? Well, as Variety informs us, that's the exact plot of a 2005 video game called Shattered Union. (Just because I've never heard of it doesn't mean it's not good. If you've played this one, leave us a mini-review in the comments section.)

The tale of a dystopian American Civil War Part II will come from producer Jerry Bruckheimer (don't act surprised), who in turn will entrust the adaptation to one J. Michael Straczynski. Serious genre fans know this gentleman as the co-creator of Babylon 5. He's written tons of TV, in addition to Eastwood's Changeling, plus he's got a metric ton of massive projects on the way, World War Z and Silver Surfer among them. The studio will be Disney, so don't expect a hardcore carnage-fest. I'm generally a fan of the Bruckheimer / Disney action conflagrations, and this one sure sounds like something I'd dig. Now hire Peter Berg to direct it.

The CMJ Festival ended Friday night with a whimper -- well, maybe that was me whimpering after I left a special screening of the spooky ooky alien thriller, The Fourth Kind. In case you haven't checked out the trailers and featurettes on the official site, I'll give you a quick breakdown -- the movie switches between "real" footage of director Olatunde Osunsanmi interviewing Dr. Abigail Tyler, a psychiatrist in Nome, Alaska, an area with an allegedly high rate of reported alien abductions, and Milla Jovovich playing Tyler as she struggles with the mysterious death of her husband and her patients' nightmares and mental breakdowns. Interestingly enough, the movie also sometimes intersperses Tyler's "real" footage of her sessions with clients with Jovovich acting them out using split screens. In any case, despite any questions as to the validity of the Tyler story and problems with the last third of the movie, I found it pretty damn scary. The Fourth Kind will be begin probing theatergoers on November 6th. (Note: It's unclear whether this was the final cut or not.)

Ladies and gentlemen of the jury, many of you feel my client Gerard Butler should be placed on movie star probation. In the light of new evidence, I plan to petition for a retrial as it would appear that Mr. Butler has abandoned romantic comedies in order to accept a role from England's greatest playwright. Yes, ladies and gentlemen of the jury, Butler is taking a role in William Shakespeare's Coriolanus alongside Ralph Fiennes, William Hurt, Vanessa Redgrave, and Jessica Chastain. Fiennes will be playing the lead and will be helming the adaptation in his directing debut, which was adapted by John Logan.

On a very awkward appearance on Baltimore WJX, Butler revealed that his next role would be in Fiennes' adaptation, and he described it as "a passion project" for them both. He didn't specify which role he would be taking on, but I'm hoping it's Coriolanus' sworn enemy, Tullus Aufidius. He always looks so good with blood on him, and it would be glorious to watch him fight Fiennes.

Of course, this is Shakespeare and financing could be difficult even with Fiennes at the helm, though a solid cast should help with that. It was one of the projects at the IFF this September, and I hope they found someone to give them some money. Not only does the world always need more Shakespeare, but Butler needs a meaty role now. Seeing as it was Steven Berkoff's Coriolanus was what ushered Butler into acting, I can think of no better production (save perhaps The Scottish Play) that could wrangle him another plea bargain.

The news that Sam Raimi would be helming the game movie of all game movies, Warcraft was met with both squeals of joy, and stunned silence by the movie blogosphere. But now that it's had a little time to sink in, people seem to be really looking forward to it. Some might even wish he'd do a last minute duck out of Spider-Man 4. But at least the wait is broken up by a bit of news, and that's Raimi announcing his screenwriter. MTV and Variety both report that Robert Rodat is set to pen Warcraft for Raimi and Warner Bros.

"We want to be really faithful to the game," Raimi told MTV. "We would have our writer, Robert Rodat, really craft an original story within that world that feels like a World of WarCraft adventure. Only obviously it's very different 'cause it's expanded and translated into the world of a motion picture. [We hope to capture] the Horde and the Alliance and the mythology that takes place in the game, and the archetypes that the game presents. I think we would try and find touchstones within the game to make it accurate and true and choose one or some of the lands that are portrayed in the game with as much accuracy and authenticity as possible."

Rodat might strike some as an odd choice as he's best known for the screenplay to the relentless Saving Private Ryan and the fanciful The Patriot. But both scripts prove he knows his way around a sweeping action scene, and revels in heroes with puffy shirts and villains with cold sneers. So this could turn out quite well indeed.

Click image below to view full poster

It's time for The Notebook fans to grab a box of tissues and plan for their Februaries and romance-filled Valentine's Day dates. Cinematical has just received this exclusive snuggle-centric poster for Dear John, which just so happens to be the latest adaptation from Notebook scribe Nicholas Sparks. Directed by Lasse Hallström (helmer behind The Cider House Rules) Dear John stars Channing Tatum and Amanda Seyfried, and will be hitting screens on February 5.

This time around, Sparks' story focuses on a soldier home on leave (Tatum), and the "idealistic college student" he falls for during her Spring vacation (Seyfried). Over the course of seven years, they must face his increasingly dangerous deployments, seeing each other face-to-face rarely, but keeping the affair alive through overseas love letters that "eventually triggers fateful consequences." War movies might be the sore vein to tap in Hollywood, but something tells me this flick will fly free of those restraints.

Check out the full poster by clicking the image below.